Tag: no-input mixer

  • Richard Knight – 12 December 2013

    Richard Knight – 12 December 2013

    Knight’s interests include feedback, modeling organic processess with digital systems, machine learning for composition, data driven art, automated analysis and composition, and making phat beats. Many of his aspirations are based on a controversial foundation, with focus on a hypothetical singularity whereby music performance and composition can be fully automised, and musicians as we know…

  • Richard Knight – 13 September 2012

    Richard Knight – 13 September 2012

    Raised in the surroundings of conflicting natural beauty and industrial decay of northern England, many of Knight’s primary influences are based around the clash between organic and electronic. He began producing music and playing in diverse experimental bands/projects in and around Leeds, but had always been motivated by the the possibilities of encapsulating avant-garde stylings…

  • Sonia Paço-Rocchia / Feedback Workshop Performance – 14 April 2011

    Sonia Paço-Rocchia / Feedback Workshop Performance – 14 April 2011

    Sonia Paço-Rocchia [sonja’ pa’so rɔ’kja] is a young artist who took a degree in Instrumental and Electro-Acoustic Composition from the Université de Montréal after a double collegial diploma in natural sciences and music. She studied composition with Michel Tétreault, José Evangelista, Michel Smith, Michel Longtin and Jean Piché. Her work has been presented in Québec,…

  • No-Input Mixer Workshop – 14 April 2011

    No-Input Mixer Workshop – 14 April 2011

    To sign up email workshops@thenoiseupstairs.com or talk to Anton or Rodrigo (or Richard!).   Workshop dates will be March 20th and 27th with the performance happening April 14th. ‘No-input’ describes the state of an audio mixer fed back into itself. The name is slightly misleading however: there is input to the mixer – the output. Audio mixers…

  • Partial Trust – 12 August 2010

    Partial Trust – 12 August 2010

    Partial Trust is a new collaboration between Richard Knight and Abigail Sanders, exploiting the relationship between unadulterated acoustic and electronic phenomena. Sourcing from the hauntingly rich and pure timbres of the French Horn, Abigail emphasizes the natural acoustics of the instrument through multiple extended techniques, in a never-ending attempt to synchronize with (or combat against)…

  • Partial Trust – 11 August 2010

    Partial Trust – 11 August 2010

    Partial Trust is a new collaboration between Richard Knight and Abigail Sanders, exploiting the relationship between unadulterated acoustic and electronic phenomena. Sourcing from the hauntingly rich and pure timbres of the French Horn, Abigail emphasizes the natural acoustics of the instrument through multiple extended techniques, in a never-ending attempt to synchronize with (or combat against)…